Showing posts with label Research-ch2-culture. Show all posts
Showing posts with label Research-ch2-culture. Show all posts

Wednesday, April 10, 2013

Discourse

Discourse

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Discourse (Latin: discursus, “running to and from”) is the term that describes written and spoken communications; its denotations include:[1]
  • The totality of codified language (vocabulary) used in a given field of intellectual enquiry and of social practice, such as legal discourse, medical discourse, religious discourse, et cetera.[2]
  • In the work of Michel Foucault, and that of the social theoreticians he inspired: discourse describes “an entity of sequences, of signs, in that they are enouncements (énoncés)”.[3]
An enouncement (l’énoncé, “the statement”) is not a unit of semiotic signs, but an abstract construct that allows the signs to assign and communicate specific, repeatable relations to, between, and among objects, subjects, and statements.[3] Hence, a discourse is composed of semiotic sequences (relations among signs) between and among objects, subjects, and statements. The term discursive formation conceptually describes the regular communications (written and spoken) that produce such discourses. As a philosopher, Foucault applied the discursive formation in the analyses of large bodies of knowledge, such as political economy and natural history.[4]
In the first sense-usage (semantics and discourse analysis), the word discourse is studied in corpus linguistics. In the second sense (the codified language of a field of enquiry), and in the third sense (a statement, un énoncé), the analyses of discourse are effected in the intellectual traditions that investigate and determine the relations among language and structure and agency, as in the fields of sociology, feminist studies, anthropology, ethnography, cultural studies, literary theory, and the philosophy of science. Moreover, because discourses are bodies of text meant to communicate specific data, information, and knowledge, there exist internal relations within a given discourse, and external relations among discourses, because a discourse does not exist in isolation (per se), but in relation to other discourses, which are determined and established by means of interdiscourse and interdiscursivity. Hence, within a field of intellectual enquiry, the practitioners occasionally debate “What is” and “What is not” discourse, according to the conceptual meanings (denotation and connotation) used in the given field of study.

Contents

The humanities

In the humanities and in the social sciences, the term discourse describes a formal way of thinking that can be expressed through language, a social boundary that defines what can be said about a specific topic; as Judith Butler said, “the limits of acceptable speech”, the limits of possible truth.
Discourses are seen to affect our views on all things; it is not possible to avoid discourse. For example, two notably distinct discourses can be used about various guerrilla movements describing them either as "freedom fighters" or "terrorists". In other words, the chosen discourse provides the vocabulary, expressions and perhaps also the style needed to communicate.
Discourses are embedded in different rhetorical genres and metagenres that constrain and enable them. That is language talking about language, for instance the American Psychiatric Association's DSMIV manual tells which terms have to be used in talking about mental health, thereby mediating meanings and dictating practices of the professionals of psychology and psychiatry.[5]
Discourse is closely linked to different theories of power and state, at least as long as defining discourses is seen to mean defining reality itself. This conception of discourse is largely derived from the work of French philosopher Michel Foucault (see below).

Modernism

Modern theorists were focused on achieving progress and believed in the existence of natural and social laws which could be used universally to develop knowledge and thus a better understanding of society.[6] Modernist theorists were preoccupied with obtaining the truth and reality and sought to develop theories which contained certainty and predictability.[7] Modernist theorists therefore viewed discourse as being relative to talking or way of talking and understood discourse to be functional.[8] Discourse and language transformations are ascribed to progress or the need to develop new or more “accurate” words to describe new discoveries, understandings, or areas of interest.[8] In modern times, language and discourse are dissociated from power and ideology and instead conceptualized as “natural” products of common sense usage or progress.[8] Modernism further gave rise to the liberal discourses of rights, equality, freedom, and justice; however, this rhetoric masked substantive inequality and failed to account for differences, according to Regnier.[9]

Structuralism

Structuralist theorists, such as Ferdinand de Saussure and Jacques Lacan, argue that all human actions and social formations are related to language and can be understood as systems of related elements.[10] This means that the “…individual elements of a system only have significance when considered in relation to the structure as a whole, and that structures are to be understood as self-contained, self-regulated, and self-transforming entities.” [11] In other words, it is the structure itself that determines the significance, meaning and function of the individual elements of a system. Structuralism has made an important contribution to our understanding of language and social systems.[12] Saussure’s theory of language highlights the decisive role of meaning and signification in structuring human life more generally.[10]

Postmodernism

Following the perceived limitations of the modern era, emerged postmodern theory.[6] Postmodern theorists rejected modernist claims that there was one theoretical approach that explained all aspects of society.[7] Rather, postmodernist theorists were interested in examining the variety of experience of individuals and groups and emphasized differences over similarities and common experiences.[8]
In contrast to modern theory, postmodern theory is more fluid and allows for individual differences as it rejected the notion of social laws. Postmodern theorists shifted away from truth seeking and instead sought answers for how truths are produced and sustained. Postmodernists contended that truth and knowledge is plural, contextual, and historically produced through discourses. Postmodern researchers therefore embarked on analyzing discourses such as texts, language, policies and practices.[8]
French social theorist Michel Foucault developed a notion of discourse in his early work, especially the Archaeology of knowledge (1972). In Discursive Struggles Within Social Welfare: Restaging Teen Motherhood,[13] Iara Lessa summarizes Foucault's definition of discourse as “systems of thoughts composed of ideas, attitudes, courses of action, beliefs and practices that systematically construct the subjects and the worlds of which they speak." Foucault traces the role of discourses in wider social processes of legitimating and power, emphasizing the construction of current truths, how they are maintained and what power relations they carry with them.” Foucault later theorized that discourse is a medium through which power relations produce speaking subjects.[8] Foucault (1977, 1980) argued that power and knowledge are inter-related and therefore every human relationship is a struggle and negotiation of power.[14] Foucault further stated that power is always present and can both produce and constrain the truth.[8] Discourse according to Foucault (1977, 1980, 2003) is related to power as it operates by rules of exclusion. Discourse therefore is controlled by objects, what can be spoken of; ritual, where and how one may speak; and the privileged, who may speak.[15] Coining the phrases power-knowledge Foucault (1980) stated knowledge was both the creator of power and creation of power. An object becomes a "node within a network." In his work, The Archaeology of Knowledge, Foucault uses the example of a book to illustrate a node within a network. A book is not made up of individual words on a page, each of which has meaning, but rather "is caught up in a system of references to other books, other texts, other sentences." The meaning of that book is connected to a larger, overarching web of knowledge and ideas to which it relates.
One of the key discourses that Foucault identified as part of his critique of power-knowledge was that of neoliberalism, which he related very closely to his conceptualization of governmentality in his lectures on biopolitics.[16] This trajectory of Foucault's thinking has been taken up widely within Human Geography.

Feminism

Feminists have explored the complex relationships that exist among power, ideology, language and discourse.[17] Feminist theory talks about "doing gender" and/or "performing gender".[18] It is suggested that gender is a property, not of persons themselves but of the behaviours to which members of a society ascribe a gendering meaning. “Being a man/woman involves appropriating gendered behaviours and making them part of the self that an individual presents to others. Repeated over time, these behaviours may be internalized as "me"—that is, gender does not feel like a performance or an accomplishment to the actor, it just feels like her or his "natural" way of behaving."[19] Feminist theorists have attempted to recover the subject and "subjectivity." Chris Weedon, one of the best known scholars working in the feminist poststructuralist tradition, has sought to integrate individual experience and social power in a theory of subjectivity.[20] Weedon defines subjectivity as "the conscious and unconscious thoughts and emotions of the individual, her sense of herself, and her ways of understanding her relation to the world.[20]
Judith Butler, also another well known post structuralist feminist scholar, explains that the performativity of gender offers an important contribution to the conceptual understanding of processes of subversion. She argues that subversion occurs through the enactment of an identity that is repeated in directions that go back and forth which then results in the displacement of the original goals of dominant forms of power.[21]

See also

Condition of possibility

Condition of possibility

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Condition of possibility (Bedingungen der Möglichkeit) is a philosophical concept made popular by Immanuel Kant.
A condition of possibility is a necessary framework for the possible appearance of a given list of entities. It is often used in contrast to the unilateral causality concept, or even to the notion of interaction. For example, consider a cube made by an artisan. All cubes are three-dimensional. If an object is three-dimensional, then it is an extended object. But extension is an impossibility without space. Therefore space is a condition of possibility because it is a necessary condition for the existence of cubes to be possible. Note, however, that space did not cause the cube, but that the artisan did, and that the cube and space are distinct entities, so space isn’t part of the definition of cube.
Gilles Deleuze presented it as a dichotomy in contradistinction to the classical phenomenon/noumenon dichotomy. From Plato to Descartes, what was presented by the senses was deemed illusory and denigrated. It was believed that the perceptions ought to be overcome to grasp the thing-in-itself, the essential essence, ala Plato’s allegory of the cave. With Kant comes a transition in philosophy from this dichotomy to the dichotomy of the apparition/conditions-of-appearance. There is no longer any higher essence behind the apparition. It is what it is, a brute fact, and what one must now examine is the conditions that are necessary for its appearance. Immanuel Kant does just this in the Transcendental Aesthetic, when he examines the necessary conditions for the synthetic a priori cognition of mathematics. But Kant was a transition, so he still maintains the phenomenon/noumenon dichotomy, but the noumenon has already been relegated unknowable and to be ignored.[1]
Foucault would come to adapt it in a historical sense through the concept of "episteme".

References

  1. ^ Deleuze: Kant: 14 March 1978. (in French)

Episteme

Episteme

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Personification of Episteme in Celsus Library in Ephesus, Turkey.
Episteme, as distinguished from techne, is etymologically derived from the Ancient Greek word ἐπιστήμη for knowledge or science, which comes from the verb ἐπίσταμαι, "to know". In Plato's terminology episteme means knowledge, as in "justified true belief", in contrast to doxa, common belief or opinion. The word epistemology, meaning the study of knowledge, is derived from episteme.

Contents

Episteme in Western philosophy

The concept of episteme in Michel Foucault

The contemporary philosopher Michel Foucault used the term épistémè in a highly specialized sense in his work The Order of Things to mean the historical a priori that grounds knowledge and its discourses and thus represents the condition of their possibility within a particular epoch. In subsequent writings, he made it clear that several epistemes may co-exist and interact at the same time, being parts of various power-knowledge systems. But, he did not discard the concept:
I would define the episteme retrospectively as the strategic apparatus which permits of separating out from among all the statements which are possible those that will be acceptable within, I won’t say a scientific theory, but a field of scientificity, and which it is possible to say are true or false. The episteme is the ‘apparatus’ which makes possible the separation, not of the true from the false, but of what may from what may not be characterised as scientific.[1]
Foucault's use of episteme has been asserted as being similar to Thomas Kuhn's notion of a paradigm, as for example by Jean Piaget.[2] However, there are decisive differences. Whereas Kuhn's paradigm is an all-encompassing collection of beliefs and assumptions that result in the organization of scientific worldviews and practices, Foucault's episteme is not merely confined to science but to a wider range of discourse (all of science itself would fall under the episteme of the epoch). While Kuhn's paradigm shifts are a consequence of a series of conscious decisions made by scientists to pursue a neglected set of questions, Foucault's epistemes are something like the 'epistemological unconscious' of an era; the configuration of knowledge in a particular episteme is based on a set of fundamental assumptions that are so basic to that episteme so as to be invisible to people operating within it. Moreover, Kuhn's concept seems to correspond to what Foucault calls theme or theory of a science, but Foucault analysed how opposing theories and themes could co-exist within a science.[3] Kuhn doesn't search for the conditions of possibility of opposing discourses within a science, but simply for the (relatively) invariant[disambiguation needed] dominant paradigm governing scientific research (supposing that one paradigm always is pervading, except under paradigmatic transition). In contrast, Foucault attempts to demonstrate the constitutive limits of discourse, and in particular, the rules enabling their productivity; however, Foucault maintained that though ideology may infiltrate and form science, it need not do so: it must be demonstrated how ideology actually forms the science in question; contradictions and lack of objectivity is not an indicator of ideology.[4] Kuhn's and Foucault's notions are both influenced by the French philosopher of science Gaston Bachelard's notion of an "epistemological rupture", as indeed was Althusser. More recently, Judith Butler used the concept of episteme in her book Excitable Speech, examining the use of speech-act theory for political purposes.

See also

Notes

  1. ^ Michel Foucault, Power/Knowledge (1980, p.197)
  2. ^ Jean Piaget, Structuralism (1968/1970, p.132)
  3. ^ Michel Foucault, L'Archéologie du Savoir (1969, ch. II.IV)
  4. ^ Michel Foucault, L'Archéologie du Savoir (1969, ch. IV.VI.c)

References

  • Paul Stoller. The Taste of Ethnographic Things. 1989. University of Pennsylvania Press, Philadelphia, PA.
  • Foucault, Michel. L'Archéologie du savoir. Paris: Gallimard. 1969.
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The Order of Things - Foucault

The Order of Things

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The Order of Things
The Order of Things.jpg
The 1994 Vintage Books edition
Author(s) Michel Foucault
Original title Les Mots et les choses
Country France
Language French
Subject(s) Philosophy
Publisher Éditions Gallimard
Publication date 1966
Published in English 1970
Media type Paperback
Pages 404
ISBN 2-07-022484-8
OCLC Number 256703056
The Order of Things: An Archaeology of the Human Sciences (French: Les Mots et les choses: Une archéologie des sciences humaines) is a 1966 book by the French philosopher Michel Foucault. It was translated into English and published by Pantheon Books in 1970. (Foucault had preferred L'Ordre des Choses for the original French title, but changed the title because it had been used by two structuralist works published immediately prior to Foucault's).
Foucault endeavours to excavate the origins of the human sciences, particularly but not exclusively psychology and sociology. The book opens with an extended discussion of Diego Velázquez's painting Las Meninas and its complex arrangement of sightlines, hiddenness, and appearance. Then it develops its central claim: that all periods of history have possessed certain underlying conditions of truth that constituted what was acceptable as, for example, scientific discourse.
Foucault develops the notion of episteme, and argues that these conditions of discourse have changed over time, from one period's episteme to another. Foucault demonstrates parallels in the development of three fields: linguistics, biology, and economics.

Contents

Influence

Foucault's critique has been influential in the field of cultural history.[1] The various shifts in consciousness that he points out in the first chapters of the book have led several scholars, such as Theodore Porter,[2] to scrutinize the bases for knowledge in our present day as well as to critique the projection of modern categories of knowledge onto subjects that remain intrinsically unintelligible, in spite of historical knowledge.

Analysis

The Order of Things brought Foucault to prominence as an intellectual figure in France. A review by Jean-Paul Sartre attacked Foucault as "the last barricade of the bourgeoisie". Foucault responded, "Poor bourgeoisie; If they needed me as a 'barricade', then they had already lost power!"[3]
Jean Piaget, in Structuralism, compared Foucault's episteme to Thomas Kuhn's notion of a paradigm.[4]

See also


Sunday, April 7, 2013

Ruth benedict - Chrysanthemum and the Sword

“The established mythologies of cross-cultural comparison came to be viewed as especially suspicious because they compared what were assumed to be self-contained, stable, and highly integrated cultures, when the reality was that all local cultures existed within a single worked system integrated by capitalist expansion and absorption” (Fox and Gingrich 2002:2).

Although such comparisons might make Japanese culture more readily intelligible to an American audience, they are based upon simplistic and totalized representations of both Japanese and American cultural practices; as comparison enables mutual recognition (the Not-Us that enable an awareness of the Us, to use Geertz’s language), it simultaneously flattens both cultural experiences, stripping away social nuances and individuated people. Much like an introductory textbook on anthropology, Benedict’s books might stimulate readers to seek out more cross-cultural interaction, but do so by reifying simplified and totalized images of cultural types.